12/03/2009

Uprising by Margaret Peterson Haddix

It is the peak of immigration in New York City, at the dawn of the twentieth century. Shouts in dozens of languages whoop through the air and smells from every dish imaginable waft through the streets of the Lower East Side. Tenements, rickety but home, climb the sky, fire escapes snaking down. The streets are crowded with pushcarts and calls. Thus is the setting for The Uprising, by Margaret Peterson Haddix.

Bella is a young immigrant girl, fresh from Italy and weighted with the daunting task of providing for her family overseas. She is lucky to find a job, though the hours spent hunched over a sewing machine in the Triangle Shirtwaist Factory are not quite what she expected.

Yetta has worked at Triangle for months. She lives with her equally rebellious elder sister, and, like Bella, sends most of her earnings home to her family in Russia. She is lively with life and pulsing with her want to change the world, to mean something, to matter. She wants women’s rights and safer conditions at work, shorter hours and higher wages. She is determined and fiery, willing to stand for months in the blistering heat and shivering cold, holding a picket sign and striking for union recognition in factories. Yetta is spirited and intense, gladly giving every bit of herself to her cause.

Jane, lastly, is a society girl with an intellectual spark. She is curious and compassionate, spending time with strikers and at rallies for no gain of her own, and finds herself swept up into this passionate world of striking and working and wanting and hoping. There is more to feel, she finds, outside of her ignorant, sheltered life. And these ardent factory girls so desperate for their cause accept her and love her—she finds a place with them that she cannot find at home.

Uprising is the story of these three girls. It is inspiring and adrenalizing (if that was not previously a word, I now deem it one), making me want to jump up and devote myself to a cause with all of my everything. On the other hand, the book does such a good job of enticing the readers into the world it creates, that it runs the risk of romanticizing poverty to some extent.

However, all in all, I love the way the book was crafted. The fire at the Triangle Shirtwaist Factory looms ahead for the entire novel. Right from the first chapter, we learn that two of the three best friends will die in the fire, though we do not know which ones they will be. This sets up an interesting dynamic--as I would read and get to know each character better, I would start to root for her to survive, before realizing, dismayed, that the other two would have to perish. It gave the book momentum and a reason for me to keep reading at the few moments the plot lagged.

Furthermore, the author was very skilled at weaving fiction and fact together, creating a story that haunts and perplexes, makes you think about the world and what you can do to change it, but also makes you care deeply for the three main characters. She succeeded in bringing life to a tragedy that occurred almost a hundred years ago. In making us care not only for the girls who died, but for the factory owners and the workers who survived as well. In painting a horrifying picture of flame and sky and the impossible choice—to jump or to burn? In making readers understand that if we want change to we have to fight for it, as the shirtwaist girls did in their months-long strike. The author wrote the story to make us understand what it was like to be a factory girl in 1911, with holes in her boots and tears in her dress and the incredible desire to change the world. The author wrote the story to give insight into life a century ago, to teach us to fight and question, and to warn us of the modern-day tragedies, today’s equivalents of the Triangle Shirtwaist Fire, that are waiting to happen unless we decide to fight for change.

Four and a half evil daggers.



Fervently yours,
Briar

12/01/2009

Sophie's World by Jostein Gaarder

On her way home from school, Sophie Amundsen finds two notes in her mailbox. On each note is written a simple, yet infinitely profound question. "Who are you?" and "Where does the world come from?" These questions are the humble beginnings of Sophie's very own basic course in Philosophy being taught by a mysterious nameless philosopher. As Sophie progresses through the History of Western Philosophy, strange things begin to happen. Sophie gets letters intended for Hilde, a girl with the same birthday as Sophie. To unravel the mystery behind the letters, and the other strange events which occur, Sophie must use philosophy. However, the inevitable truth is unfathomable until it is finally revealed.

Sophie's World is a thrill ride. There is no other way to fully describe Sophie's World in such simple terms. Right from the beginning, the reader begins to ask themselves the same questions being faced by Sophie. Who are you? and Where does the world come from? are just the beginning. Sophie's anonymous teacher takes her from the Pre-Socratic natural philosophers, through the famous Greek trio of Socrates, Plato, and Aristotle, up to Descartes, Spinoza, Hume, Hegel, Kant, Marx, even Darwin and Freud. These are just to name a few. The wealth of knowledge in this book makes Bill Gates look poor.

The most remarkable thing about this book? It pulls you in. It fascinates you. It makes you hunger and thirst for more. You cannot put it down. Ever heard of food for thought? Well this is a feast, only not just a feast. It induces a kind of intellectual high too. It's like flying. The mind is opened up to such a multitude of things. You're left feeling weightless, capable of anything. You feel all this, right from the beginning. Right from chapter one until you close the book, the intensity rises, the fascination grows. About two-thirds into the book, the most dramatic twist I have ever seen in any piece of literature occurs. From then until the end, the puzzle pieces begin to fit together into a big picture. It is impossible to summarize the twist, or its effect on the already mounting tension. Simply put, it is mind-blowing, earth-shattering, and totally wicked!

I give Sophie's World by Jostein Gaarder 5 out of 5 daggers.






It is quite possibly the best book I've ever read.

Yours in wonder and awe,
Gabriel Gethin


P.S. I apologize in advance for sounding like a screaming schoolgirl in the front row of a Jonas Brothers concert for the majority of my review. The fact of the matter is, this book is just fantastic. I loved it. Therefore, it is impossible to separate emotion from my own personal reading experience.

11/06/2009

Double Helix by Nancy Werlin


Eli Samuels, high school senior, soon to be high school graduate, is looking for a job. On a drunken impulse, he writes an embarrassing email to Dr. Quincy Wyatt, the most famous geneticist in the world, asking for a job at Wyatt Transgenics, Dr. Wyatt’s company. Eli regrets the email as soon as he sends it. He does not expect that he will actually get the job- after all, he hasn’t even graduated yet, and he’s planning to take a year off before going to college.

Incredibly, Dr. Wyatt gives Eli the job. For a while, it seems too good to be true. Though it’s only an entry-level, lab-assistant job, the work is exciting and the pay is fantastic. Best of all, Eli begins to get to know Dr. Wyatt, a genius scientist, and learns about Dr. Wyatt’s current and future projects. He divides his time between his job, his girlfriend, and spending time with Dr. Wyatt.

But Eli’s dad urges Eli to quit the job, and he won’t say why. He is simply adamant that Eli should not be working for Wyatt Transgenics. Eli knows that his parents used to know Dr. Wyatt, and he suspects that his father’s opposition to his new job has something to do with his mother’s Huntington’s disease, which has left her a ghost of her former self, living in a nursing home. But why exactly, he doesn’t know. And Eli has some secrets of his own- he’s never told anyone, not even his longtime girlfriend, about his mother’s condition, or that he has a fifty-fifty chance of developing the disease himself.

The longer Eli works at Wyatt Transgenics, the more certain he becomes that something is wrong, and the less certain he becomes of everything else.

This book was a fun, quick read. The premise was original and highly intriguing, and there were sufficient unexpected plot twists to keep me interested. Since I am a huge science geek, I was very interested in the work on genetics being done at Wyatt Transgenics, and the idea that someday, direct and deliberate genetic manipulation might be possible. This book made me think about the ethical ramifications of such manipulations, and of the study of genetics in general.

Initially, I was a bit confused about whether this book was a sci-fi or a mystery, but the mystery aspect soon asserted itself. The mystery was okay. It was an extremely interesting concept, and all the essential elements were there, but I was annoyed by the fact that it seemed to progress in two stages. First there was very limited information, and the mystery was more of a hanging uncertainty than an actual mystery. Then suddenly, there was a sharply defined question with lots of evidence, and the outcome was disappointingly predictable. I felt that some of the plot elements could have been spaced out better throughout the book. Also, at times I wanted to scream at the main character for being an idiot and/or a total jerk.

Overall, I give this book three and a half daggers, for thought-provoking elements, an interesting plot, and science.





Genetically yours,
Tay

10/19/2009

The Risen Empire by Scott Westerfeld


Millennia in the future, light-years away, the Risen Empire spans eighty planets. To the people of the empire, the Risen Emperor, inventor of immortality, and his eternally young sister, the Child Empress, are more than rulers- they are gods. They have ruled for sixteen hundred years, and the empire seems as immortal as they are.

But the empire is not alone in the galaxy. The Rix are a civilization of cyborgs, and their domain lies just outside the Risen Empire. The Rix have no leader and no culture. They are a Spartan civilization with only one goal- to propagate an artificially intelligent “compound mind” across the digital network of every populated planet. They worship these minds just as Imperial citizens worship their emperor. Because of this, the Empire and the Rix are constantly on the edge of war. As the novel opens, the Rix have succeeded in capturing the Child Empress, and in planting a compound mind on the planet Legis XV, the location of the Imperial palace.

Captain Laurent Zai is in command of the most powerful starship in the Empire- the Lynx. He has been assigned the task of rescuing the Empress, and the penalty for failure is death by ritual suicide. Light-years away, a senator named Nara Oxham is also becoming entangled with the Rix conflict. Together and apart, destinies closely intertwined, they must both find a way to succeed, or perish in the rising tide of war.

What can I say? It’s by Scott Westerfeld; therefore, it’s amazing. The plot was truly original, which is hard to find in sci-fi these days, and the major cliffhanger at the end left me craving the sequel. Though I don’t think The Risen Empire is actually YA, it reads like one, with cool plot twists and exciting action. The book also makes use of flashbacks and multiple points of view- both common narrative devices, but this time, they’re actually done well. All the events in the book- military, political, dramatic, and romantic- are well executed and convincing.

The real genius of this book, though, was in the details. Scott Westerfeld has managed to convey a vast world with minute precision. Everything, from microspaceships to smartalloy bullets to induced synesthesia to the four types of gravity, is described with a ridiculous amount of detail. While reading this book, I didn’t just feel like I was there. I felt like I knew absolutely everything there was to know about the Rix, the Empire, everything. I was a military officer, a scientific expert, a master pilot, a Rixwoman, and a politician. The world that Scott-la has created is so real, down to the last nanometer.

Strangely enough, this book’s biggest strength is also its biggest downside. Plotwise, it tended to forgo explanation in favor of action, and several times, I found myself rereading the same passage three or four times, trying to figure out what in heaven’s name it was talking about. Most of the cool made-up technical and political jargon is just thrown in there, and explanation comes much later, if at all. I have to admit, the book was more than a little hard to follow. And be warned- it’ll be even harder to follow without a little knowledge of physics, relativity and quantum mechanics.

Still, though, once I figured out what was going on, I enjoyed The Risen Empire enormously. This book has it all- futuristic technology, political intrigue, romance, secrets, lies, cyborgs, undead cats, and obscure, geeky allusions, all woven together in a captivating story. I loved Laurent Zai, Nara Oxham, Rana Harter, H_rd, Alexander, and yes, even the Emperor. I loved it all. I can’t wait for the sequel. Four and a half sixteen-molecule-wide monofilament daggers.

Yours,
Tay



10/04/2009

How to Say Goodbye in Robot by Natalie Standiford

How to Say Goodbye in Robot, by Natalie Standiford, is the story of Beatrice Szabo and her very unique friendship with Jonah “Ghost Boy” Tate. Bea’s family moves all the time, so when Beatrice is told that they are moving to Baltimore for her senior year, she readies herself for yet another year of gossip and parties and shallow friends. Instead, she meets Jonah, nicknamed “Ghost Boy” by his taunting peers, and the two of them embark on a relationship that cannot appropriately be pinpointed by words such as “friend” or “boyfriend.” To Bea and Jonah, their togetherness is much more than that. It is sharing a love for a late night radio show, talking over beer and music in their favorite downtown hang out, and planning secret visits to Jonah’s sort-of-dead twin brother.

Quite honestly, I didn’t feel it. I liked the idea of a friendship above words and gossip and shallowness, but I felt that the author didn’t develop the characters or the relationship enough so that when the friends had a falling out, I didn’t care at all, really. When Bea’s parents had problems, I didn’t feel for them or for her. Overall, I got the impression of a sort of bleak world filled with chickens, greasy hair, and beer, and it was not a world in which I particularly wanted to stay. Not in a good way, either—some books paint a bleak world intentionally and the darkness can be powerful, but in How to Say Goodbye in Robot this was not the case. There were certainly a few touching moments, and the themes of loss and death and how thinking about them is not necessarily a bad thing were very nice, but I didn’t feel any sort of real connection with the characters.

I liked the never-quite-shot-down ideas of inhabitants from the future living in our time thread, and I found the radio show, The Night Lights, very sweet and quirky. I liked the idea that one could have a whole sort of radio community of friends, and that there can be friendship based on more than just gossip and the troubles of this world. Unfortunately, the author didn’t quite portray the sweet world of their friendship, so there was no basis to build off of.

If you care to do your homework and go all the way back to my Toad Hill days, you'll know what this means: How to Say Goodbye in Robot was a bit less than crinterprood.

And that's that.

Briar.

9/24/2009

Noughts and Crosses by Malorie Blackman

Noughts and Crosses, by Malorie Blackman is the tale of a world with a clear class distinction, an alternate universe in which racial and social roles are completely reversed. The world is run by the dark-skinned Crosses and served by the white Noughts—hatefully called daggers and blankers, respectively.

The story is that of Sephy Hadley and Callum McGregor , whose love and friendship struggle against the wide gap between their social standings. Sephy, a Cross, is the daughter of one of the most powerful politicians in the country, while Callum is a low-class “blanker,” and would never have met Persephone had his mother not been working for hers. Still, Sephy and Callum build their friendship in secret hours on a strip of beach and midnight meetings in a rose garden. To them, it doesn’t matter that she is a Cross and he is a Nought; they are both simply people. But when Callum is accepted as one of the first Noughts into Sephy’s all-Cross school, everything changes. And as Callum’s family gets more wrapped up in the violent civil rights terrorist organization known as the Liberation Militia, the stakes get even higher. The story whirls into a fast-paced tale of love and trust and hatred and hurting, race and rights and human nature, all tying into the breathtaking climax; a ending no one could have predicted.

Noughts and Crosses is possibly one of the best books I have ever read.

It could easily have been a simplistic story about how racism is bad and all are equal (which is perfectly good and true, but makes for a rather predictable novel), but Noughts and Crosses delves into the deeper, rawer side of that. Rather than simply black-white racism itself, the story examines human nature and the foundation of prejudice. I think the most important thing was the reversal of who had the power. With the dark-skinned people in charge rather than the light-skinned, real-life politics and pre-formed notions are stripped away, and we are left with simply a picture of prejudice.

What was interesting was how false notions about African Americans that have mostly died out the idea that they smell bad, are less clean, and so on, translated to the blacks’ perception of whites. And it fit perfectly! In this scenario, the whites were portrayed as the dirty second class, and all of the terrible racial stereotypes people held and still hold about blacks are given to the whites in this book. One can see that they have nothing to do with a particular skin color, merely the fact that the color is different and perceived as inferior.

The book studies these ideas far more naturally and subtly than I do, giving them a pronounced presence in the story without ever having to state them bluntly as I have just done. Truly, this book is excellent. It does delve into really interesting questions and ideas, but it also paints a picture of friendship and love startlingly well.

Noughts and Crosses is the first in a trilogy, and I give it five out of five daggers. And no, I don’t mean the fictional slur for the Cross class.

Thinking and mind-blown,

Briar

9/01/2009

Catching Fire by Suzanne Collins

The Hunger Games, by Suzanne Collins, was the wildly popular dystopia novel released last year. Catching Fire, the eagerly awaited sequel, was equally as riveting—full of extraordinary twists and turns as well as further fleshing of conflicts introduced in its predecessor.

For those unfamiliar with The Hunger Games, the story centers around Katniss Everdeen, who takes her young sister’s place in the The Hunger Games. The Games consist of twenty-four “tributes,” or teenage citizens, who are put in an arena and forced to kill each other off in the hopes of being the last one standing. The book finishes with the end of the Games, and Catching Fire picks up a few weeks after it is all over.

I received this book in early summer as an ARC (Advanced Reader’s Copy) from Scholastic, and positively gobbled it up. The second installment is just as fast-paced and riveting as the first, with even more surprise twists and deeper exploration of the legend of District 13. Katniss grapples with more ethical issues and discovers that whatever she started with the berries in the arena is far from over. A rebellion is stirring, and Katniss finds herself, willing or not, the rallying point of a revolution.

Catching Fire was wonderful. The characters were genuine, and the alternate universe was just as thrilling as it was the first time around. There is the constant, looming threat of the Capitol, and this not-quite-fake charade of love that must be kept up at all times. There is the uncertainty of which boy Katniss should choose, and this whispered revolution that is putting everyone Katniss cares about in danger.

The first half focuses on Katniss’s life in District 12, as well as the victory tour that she and Peeta must go on. There is one massive twist that dictates the second half of the novel so I dare not describe it further, though I will say that the book ends with a huge cliffhanger.

One aspect of this book that did not flow as smoothly as it might have, was that the twists seem a little forced and deliberate—like the novel was so keen on making startling twists that it failed to have the effect of a change that is unexpected.

All in all, however, I think Catching Fire will live up to expectations. There is still the horrifying presence of a “game” in which children are encouraged to kill one another; something I still find difficult to think about. Both books provide originality in a genre that is prone to clichés, and both are well written with genuine characters who suffer real human dilemmas. Five evil daggers, without a doubt.

Yours, Briar