Prep by Curtis Sittenfeld

Lee Fiora is a modest girl from the Midwest, blessed by luck and hours of effort, who has won a place and a scholarship to the Ault school, a prestigious Northeastern boarding school. Vineyard Vines, Ralph Lauren and J. Crew labels are everywhere to be seen, while the school demands more academically than Lee has ever experienced. Awed and apprehensive, Lee begins her Ault career, unsure of her place in this affluent, preppy world. As the weeks and months continue, Lee becomes progressively more alienated, feeling friendless and very much an outsider. She is not privy to East Coast slang, the favorite brands; her hair is not long and sleek, her body not completely soft and slender. The novel follows Lee for her four years at Ault, during which time she becomes hardly more integrated. She spends the overwhelming majority of her high school years feeling self-conscious and rather miserable, because she feels that any thought, expression or action outside of the norm will alienate her further and cause others to think badly of her.

I liken this feeling of being scrutinized to the concept of the “panopticon,” in the book The Disreputable History of Frankie Landau Banks. A panopticon is a circular jail, arranged around a central well so that the prisoners could be watched at all times. Because of the constant assumption that they were being watched, the prisoners behaved and little watching ever really had to occur. In Prep, and in The Disreputable History of Frankie Landau Banks, the boarding school atmosphere makes for a sort of panopticon—an environment in which everyone feels as though they are always being watched, and behave accordingly. For Frankie, in Disreputable History, the panopticon serves to fascinate her and spark a rebellion within her. In Prep, the panopticon makes Lee miserable, for she feels as though her every move must be calculated to follow what the popular students are doing, and she spends more time desperately trying to fit in than she does nearly anything else. Life with a desperate and masochistic motivation such as this is not a happy one; Lee is constantly miserable and ends up allowing herself to be used sexually by a popular boy, for after wanting so long to be wanted, she grasps at the first possibility. Lee acts for almost the sole motivation of wanting not necessarily to be accepted –for being different is never desirable—but included.

Prep was written by Curtis Sittenfeld, sort of as a memoir. Sittenfeld attended a very prestigious boarding school as a teenager, and changed the name and a few key facts in the book, in order to somewhat protect its identity. Knowing this as I read was a little sad, for Curtis, alias Lee, has such an awful time in the text.

Prep is the bittersweet story of a girl who enters into a lavish world that seems ideal to her, but quickly learns that the pressure to be the unattainable elite is suffocating, and she finds herself barely gasping for breath over the four years of her life there. The really sad thing was that by the end of the novel, Lee does not seem to have really learned anything. She has not decided to be true to herself, or not care what others think of her. Perhaps this is more realistic, but it is still rather melancholy.

Prep is basically a depressing read. And though the insights on life at such an institution as Ault were interesting and well-explored, often the book lagged in Lee’s despair and alienation.

Though I cannot say that Prep was pleasurable to read—it is certainly not uplifting—this was probably on purpose, for the author’s intentions clearly were not to make the reader gleeful. What the book did do was make me think, and I am always glad for a literary opportunity to do so. It concerned me a bit as well, for I am in the midst of applying to schools like Ault for high school, and Prep made me fear that a cold, elitist world is the one I am about to enter into. All in all it was a pretty good, if unsettling, read.

I give Prep a three out of five evil daggers.

Preppily yours,

Briar

Nightlight: A Parody by The Harvard Lampoon

For those of you who desire the short, sweet version, Nightlight is a parody of Twilight. The basic storyline is similar enough to mock Twilight, yet different enough to be its own work of fiction. Belle Goose moves from Pheonix to Switchblade, Oregon to live with her father Jim, a window wiper. Belle has an obsession with dating a vampire. At her new school, she meets Edwart Mullen, a super-hot (yet fictitious) computer nerd with such a lack of social skills, one could argue he has negative social skills. After noticing a few events, such as Edwart leaving his lunch untouched, Belle realizes Edwart is a vampire. Clearly, this girl is a master of the scientific method.

I would say more in my quick summary, but I don't want to spoil the book! It's a very short read. Therefore, the summary is also short. Ironically, my summary for the 400 something page Twilight is about the same length... Quality beats quantity, which is why I recommend Nightlight over Twilight. Nightlight is hilarious! The book is like a Mel Brooks' movie. It's totally cheesy, it's a bit stupid at times, but overall, it is amazing! Some parts will make you laugh out loud (which you can shorten to "lol" if you wish). Other parts will seem a bit over-the-top and stupid. However, the length of the book makes the stupid parts less annoying.

There's not a whole lot to review in regards to this book. It's a parody. Is it funny? Yes. Therefore, it is a success. I recommend reading it, for kicks and giggles.

Four humorous daggers out of five.






Yours vampirically,
Gabriel Gethin

Catalyst by Laurie Halse Anderson

Kate Malone is one of those over-achievers; every school has one. Not only is she a straight-A student with especially outstanding grades in math and science, she also happens to be a long distance-running track superstar. She is a minister's daughter. She is dating Mitchell "Mitch" Pangborn III, who is got accepted Early Decision into Harvard. She is the unwilling caretaker of her family, between the death of her mother and the religious duties of her father, Kate is left with most of the house chores. On top of all this, she is a master of avoiding emotions. However, her emotional avoidance skills get put to the test after a series of cataclysmic events turn her life upside-down.

The storyline is pretty good. No complaints about the seriousness of the aforementioned cataclysmic events, they are really quite life changing. The story is easy to relate to, especially for high school students. All high school seniors share a good degree of nervousness over college acceptance. Also, the characters are pretty unique, yet stereotypical. Sound contradicting? It is. Kate Malone, for example, is a classic example of the overachiever student everyone knows will go to some Ivy League school and invent some radical new piece of technology. However, she is not so simple. Sure, she is smart, but she only applies to one school, MIT. Anderson is a master of creating believable, yet unique characters with refreshing amounts of wit. She also develops her characters, and their relationships with one another, beautifully.

Another aspect of Anderson's writing I simply love is her mastery of changing points of view. Not from first person to third person, but changing the way people see the world around them. As the characters' view of one another and the surrounding world change, so also do the reader's. The reader follows the characters' journey as if he/she were a part of it.

The story is set in the same community as Speak, which is pretty exciting if you've read Speak. If you haven't read Speak, what are you waiting for? I gave it five out of five daggers! That's more than enough to convince you to read it. Anyways, there's a great moment in Catalyst where Kate Malone refers to Melinda from Speak, got to love it.

If you've read this far, congratulations. You have patience. Some call it a virtue. As a reward, you get to hear my negative criticism for Catalyst. First things first, it's not as good as Speak. Speak was more humorous, more emotional, and (from a certain angle) more believable. Catalyst wasn't far-fetched. However, the way the events snowball and cause this sort of domino effect makes the story seem less likely to ever happen to a real life person (however, I'm sure someone is going to get lucky). Also, I felt much sorrier for Melinda than for Kate.

Nevertheless, Catalyst was most certainly enjoyable.

4 potentially painful daggers, out of the potentially more painful 5.







Chemically yours,
Gabriel Gethin

Sacred Scars by Kathleen Duey

WARNING: The following review contains spoilers of Skin Hunger, the first book in this series. If you have not read Skin Hunger, dash off to your local library as fast as you can and read it! Then you may read this review, and subsequently Sacred Scars, at your leisure.

When we left Sadima at the end of Skin Hunger, she, Franklin, and Somiss were in a cave with several orphan boys, kidnapped from Limori. Sadima is miserable living in the cave. She feels the fear and loneliness of the trapped boys, whom Somiss forces to learn how to copy the Gypsy symbols. Somiss is even more reclusive- and yet somehow even more frightening- than before. Worst of all, Franklin is gone all night, stealing food, and asleep all day, so Sadima has almost no time with him. As more and more time passes, she realizes that maybe he doesn’t even love her anymore. And slowly, she realizes something she knew all along. She cannot stay in this cave. She must escape.

Hahp, at the end of Skin Hunger, had made a pact with his roommate Gerrard to destroy the academy at all costs. They both realized the danger of their agreement, and as their fragile almost-friendship teeters on the verge of breaking, it seems to Hahp that Gerrard isn’t keeping his end of the deal. But that is far from being the boys’ only problem. As their lessons become more and more difficult, life becomes more painful. The wizards are acting even more strangely. Hahp’s sleep is haunted by dreams that blur the lines between fantasy and reality. Worst of all, the safety of all the boys is threatened by the violent, unpredictable, and dying Luke. As the pact between Gerrard and Hahp expands to include the rest of the boys, they are forced to make the most difficult choices of their lives. And as the connection between the story’s two plots becomes more apparent, the eternal question still nags at the reader: where is Sadima?

This book most definitely lived up to the precedent set for it by Skin Hunger. Although Sadima’s story lagged somewhat in the beginning of the book and at certain points throughout, most of that plotline, and all of Hahp’s, moved at a fairly brisk pace. There were numerous plot twists and unexpected events sprinkled throughout to keep the story moving.

Hahp’s story was definitely the more engaging of the two plots. There was so much story material there, weaving a rich, detailed plot, and as always, Hahp is a realistic and dynamic character. But this should not be taken to mean that Sadima’s story was not also compelling; on the contrary, since the action progressed somewhat more slowly for most of the book, it provided a nice complement to the tension of Hahp’s story, building up to the dramatic climax and cliffhanger ending in both cases.

Overall, Sacred Scars is a fabulous second installment in the Resurrection of Magic trilogy; I’m anxious for the conclusion. Four and a half magical daggers.






Yours in suspense,
Tay

Uprising by Margaret Peterson Haddix

It is the peak of immigration in New York City, at the dawn of the twentieth century. Shouts in dozens of languages whoop through the air and smells from every dish imaginable waft through the streets of the Lower East Side. Tenements, rickety but home, climb the sky, fire escapes snaking down. The streets are crowded with pushcarts and calls. Thus is the setting for The Uprising, by Margaret Peterson Haddix.

Bella is a young immigrant girl, fresh from Italy and weighted with the daunting task of providing for her family overseas. She is lucky to find a job, though the hours spent hunched over a sewing machine in the Triangle Shirtwaist Factory are not quite what she expected.

Yetta has worked at Triangle for months. She lives with her equally rebellious elder sister, and, like Bella, sends most of her earnings home to her family in Russia. She is lively with life and pulsing with her want to change the world, to mean something, to matter. She wants women’s rights and safer conditions at work, shorter hours and higher wages. She is determined and fiery, willing to stand for months in the blistering heat and shivering cold, holding a picket sign and striking for union recognition in factories. Yetta is spirited and intense, gladly giving every bit of herself to her cause.

Jane, lastly, is a society girl with an intellectual spark. She is curious and compassionate, spending time with strikers and at rallies for no gain of her own, and finds herself swept up into this passionate world of striking and working and wanting and hoping. There is more to feel, she finds, outside of her ignorant, sheltered life. And these ardent factory girls so desperate for their cause accept her and love her—she finds a place with them that she cannot find at home.

Uprising is the story of these three girls. It is inspiring and adrenalizing (if that was not previously a word, I now deem it one), making me want to jump up and devote myself to a cause with all of my everything. On the other hand, the book does such a good job of enticing the readers into the world it creates, that it runs the risk of romanticizing poverty to some extent.

However, all in all, I love the way the book was crafted. The fire at the Triangle Shirtwaist Factory looms ahead for the entire novel. Right from the first chapter, we learn that two of the three best friends will die in the fire, though we do not know which ones they will be. This sets up an interesting dynamic--as I would read and get to know each character better, I would start to root for her to survive, before realizing, dismayed, that the other two would have to perish. It gave the book momentum and a reason for me to keep reading at the few moments the plot lagged.

Furthermore, the author was very skilled at weaving fiction and fact together, creating a story that haunts and perplexes, makes you think about the world and what you can do to change it, but also makes you care deeply for the three main characters. She succeeded in bringing life to a tragedy that occurred almost a hundred years ago. In making us care not only for the girls who died, but for the factory owners and the workers who survived as well. In painting a horrifying picture of flame and sky and the impossible choice—to jump or to burn? In making readers understand that if we want change to we have to fight for it, as the shirtwaist girls did in their months-long strike. The author wrote the story to make us understand what it was like to be a factory girl in 1911, with holes in her boots and tears in her dress and the incredible desire to change the world. The author wrote the story to give insight into life a century ago, to teach us to fight and question, and to warn us of the modern-day tragedies, today’s equivalents of the Triangle Shirtwaist Fire, that are waiting to happen unless we decide to fight for change.

Four and a half evil daggers.



Fervently yours,

Briar

Sophie's World by Jostein Gaarder

On her way home from school, Sophie Amundsen finds two notes in her mailbox. On each note is written a simple, yet infinitely profound question. "Who are you?" and "Where does the world come from?" These questions are the humble beginnings of Sophie's very own basic course in Philosophy being taught by a mysterious nameless philosopher. As Sophie progresses through the History of Western Philosophy, strange things begin to happen. Sophie gets letters intended for Hilde, a girl with the same birthday as Sophie. To unravel the mystery behind the letters, and the other strange events which occur, Sophie must use philosophy. However, the inevitable truth is unfathomable until it is finally revealed.

Sophie's World is a thrill ride. There is no other way to fully describe Sophie's World in such simple terms. Right from the beginning, the reader begins to ask themselves the same questions being faced by Sophie. Who are you? and Where does the world come from? are just the beginning. Sophie's anonymous teacher takes her from the Pre-Socratic natural philosophers, through the famous Greek trio of Socrates, Plato, and Aristotle, up to Descartes, Spinoza, Hume, Hegel, Kant, Marx, even Darwin and Freud. These are just to name a few. The wealth of knowledge in this book makes Bill Gates look poor.

The most remarkable thing about this book? It pulls you in. It fascinates you. It makes you hunger and thirst for more. You cannot put it down. Ever heard of food for thought? Well this is a feast, only not just a feast. It induces a kind of intellectual high too. It's like flying. The mind is opened up to such a multitude of things. You're left feeling weightless, capable of anything. You feel all this, right from the beginning. Right from chapter one until you close the book, the intensity rises, the fascination grows. About two-thirds into the book, the most dramatic twist I have ever seen in any piece of literature occurs. From then until the end, the puzzle pieces begin to fit together into a big picture. It is impossible to summarize the twist, or its effect on the already mounting tension. Simply put, it is mind-blowing, earth-shattering, and totally wicked!

I give Sophie's World by Jostein Gaarder 5 out of 5 daggers.






It is quite possibly the best book I've ever read.

Yours in wonder and awe,
Gabriel Gethin


P.S. I apologize in advance for sounding like a screaming schoolgirl in the front row of a Jonas Brothers concert for the majority of my review. The fact of the matter is, this book is just fantastic. I loved it. Therefore, it is impossible to separate emotion from my own personal reading experience.

Double Helix by Nancy Werlin

Eli Samuels, high school senior, soon to be high school graduate, is looking for a job. On a drunken impulse, he writes an embarrassing email to Dr. Quincy Wyatt, the most famous geneticist in the world, asking for a job at Wyatt Transgenics, Dr. Wyatt’s company. Eli regrets the email as soon as he sends it. He does not expect that he will actually get the job- after all, he hasn’t even graduated yet, and he’s planning to take a year off before going to college.

Incredibly, Dr. Wyatt gives Eli the job. For a while, it seems too good to be true. Though it’s only an entry-level, lab-assistant job, the work is exciting and the pay is fantastic. Best of all, Eli begins to get to know Dr. Wyatt, a genius scientist, and learns about Dr. Wyatt’s current and future projects. He divides his time between his job, his girlfriend, and spending time with Dr. Wyatt.

But Eli’s dad urges Eli to quit the job, and he won’t say why. He is simply adamant that Eli should not be working for Wyatt Transgenics. Eli knows that his parents used to know Dr. Wyatt, and he suspects that his father’s opposition to his new job has something to do with his mother’s Huntington’s disease, which has left her a ghost of her former self, living in a nursing home. But why exactly, he doesn’t know. And Eli has some secrets of his own- he’s never told anyone, not even his longtime girlfriend, about his mother’s condition, or that he has a fifty-fifty chance of developing the disease himself.

The longer Eli works at Wyatt Transgenics, the more certain he becomes that something is wrong, and the less certain he becomes of everything else.

This book was a fun, quick read. The premise was original and highly intriguing, and there were sufficient unexpected plot twists to keep me interested. Since I am a huge science geek, I was very interested in the work on genetics being done at Wyatt Transgenics, and the idea that someday, direct and deliberate genetic manipulation might be possible. This book made me think about the ethical ramifications of such manipulations, and of the study of genetics in general.

Initially, I was a bit confused about whether this book was a sci-fi or a mystery, but the mystery aspect soon asserted itself. The mystery was okay. It was an extremely interesting concept, and all the essential elements were there, but I was annoyed by the fact that it seemed to progress in two stages. First there was very limited information, and the mystery was more of a hanging uncertainty than an actual mystery. Then suddenly, there was a sharply defined question with lots of evidence, and the outcome was disappointingly predictable. I felt that some of the plot elements could have been spaced out better throughout the book. Also, at times I wanted to scream at the main character for being an idiot and/or a total jerk.

Overall, I give this book three and a half daggers, for thought-provoking elements, an interesting plot, and science.

Genetically yours,
Tay