A Salute

Ever since we were small evil ones, our mothers have been there for us.
Reading to us.
Buying us books.
Supporting our blogging endeavors.

Among other things. But, you know.

So, we salute thee, O Mothers!
A very Happy Day to you.

With admiration, sincerity, and love,

Ink Exchange by Melissa Marr

Ink Exchange by Melissa Marr is a creepy, haunting urban fantasy that fully lives up to the standard set by Marr’s first book, Wicked Lovely… though it isn’t quite as good.
Ink Exchange is the story of Leslie, a girl who wants to get a tattoo to reclaim her body as her own (though you’ll have to read the book to find out why she feels the need to do so). Leslie’s family is broken—her mother is gone, her father drinks, and her brother is high all the time. She feels distant from her friends, particularly Aislinn (the main character of Wicked Lovely), who seems to be changing in ways that Leslie cannot explain or understand.
Leslie’s tattoo is beautiful—a pair of winged eyes on her upper back. But, as it turns out, it is not a normal tattoo. Leslie has become the subject of an Ink Exchange, something which ties her to the King of the Dark Court, Irial. This bond, as well as her friendship with Aislinn and a growing romance between she and the faery Niall, plunges Leslie into the strange and dangerous world of Faerie.
As I said before, Ink Exchange is good, but not quite as good as Wicked Lovely. One reason for this, I think, is Leslie’s relationship with Niall. Ink Exchange is the story of a damaged girl attempting to regain control of her life, and I felt that her romance with Niall was superfluous, unnecessary. At times it was even melodramatic— earning a very teenage roll of the eyes from me (though I do tend to roll my eyes a lot). It also created a Niall-Leslie-Irial love triangle that was a little too similar to the Seth-Aislinn-Keenan love triangle from Wicked Lovely.
All in all, though, Ink Exchange was a gorgeously executed, fabulously dark urban fantasy—just what I would expect from Melissa Marr. Irial made me shiver (creepycreepycreepy) and Leslie was a believable and interesting main character. So read this book. It’s good.


I give it four daggers.


Shivering, creeped out, happy, and yours,

The Dark Court's nature is terrifyingly brutal. Its king, Irial, is icily cruel and oddly compassionate by turns. And Leslie--accidentally tied to them by the tattoo meant to set her free--is confused. Her will is not her own these days, and she has no idea why.
This is the world of Ink Exchange. It's scary, beautiful, and well imagined. Admittedly, it isn't as good as Wicked Lovely, but is quite enjoyable nonetheless. I didn't find the Niall-Leslie love shape quite as superfluous as Aislinn seemed to. He (Niall) is quite a good character.
I bestow three and a half out of five daggers on Ink Exchange.

Looking over my shoulder for faeries...

Ink Exchange comes out on April 29.

The Amazing Holly Black Answers Our 13 Evil Questons

Holly Black is the author of the Modern Faerie Tale series (Tithe, Valiant, and Ironside) as well as the Spiderwick Chronicles (which were illustrated by Tony DiTerlizzi). The Spiderwick Chronicles movie comes out on February 14! We're excited! Are you? Yes? Good!

We asked Holly Black 13 questions... and, as we're sure that you're thinking, yeah, yeah, shut up and get to the interview already... here they are!

Interviewingly yours,


1. What made you want to write YA/urban fantasy/faerie books? What made you want to write in general?

I've always liked to make up stories and I've been interested in folklore, particularly faerie folklore, since I was a teenager. Growing up, I lived in this creepy old Victorian house (not unlike the Spiderwick house) where the trees were so tall that the branches scraped at my windows at night when the wind blew. My mother believed in ghosts, so it wasn't like she was going to tell me that any of that stuff didn't exist. Basically, in defense, I started reading folklore about faeries and ghosts and werewolves and vampires (especially vampires!) to try and protect myself. I was pretty much scared all the time.

One of the things I love so much about contemporary fantasy and urban fantasy is that it juxtaposes the fantastic against the world that we know, ideally giving the reader the feeling that if we look just slightly to the side, out of the corner of our eyes, there might be something there. That the world might turn out to be bigger, more interesting, and maybe a little scarier than we thought.

2. Zombies or unicorns?

Unicorns. They have SWORDS ON THEIR HEADS. What is more badass thanthat, I ask you?

3. Say that you're at a carnival, and there's an organ grinder who has a time-travelling monkey named Herbert. For a shilling, Herbert will locate your teenage self and give her a letter, written by you. What would this letter say?

Stop writing all that mopey poetry and learn to plot! More seriously, I would give my younger self a list of books that she really ought to be reading, instructions on how to change time to make sure a particular thing didn't occur (my sister died in her twenties, in a way that was highly preventable), and would point out to my younger self that there's music to go with that all-black-clothes-with-eyeliner look I was trying to rock. I'd also like to reassure her that not everyone secretly hates her.

4. The Spiderwick Chronicles are being made into a movie! What's that like, for you, as an author?

I went to media training to learn how to better answer questions like this one and I was told to stop saying "surreal" and to give an anecdote instead. But really, it feels surreal. And wonderful. I was sick the other day and just slacking in front of the television with cups of tea and the trailer came on five times. I really had difficulty processing that experience (the cold medicine didn't help either).

5. What was your favorite YA novel of 2007?

I know I am going to forget a bunch of books and want to go back and add them, but here are a few of my 2007 YA favorites: Sindy Felin's TOUCHING SNOW, Kathleen Duey's SKIN HUNGER, Cassandra Clare's CITY OF BONES, Libba Bray's THE SWEET FAR THING, Jo Knowles's LESSONS FROM A DEAD GIRL, Cecil Castellucci's BEIGE, Scott Westerfeld's EXTRAS, Maureen Johnson's GIRL AT SEA, Justine Larbalestier's MAGIC'S CHILD, Shannon Hale's BOOK OF A THOUSAND DAYS, Isabeau Wilce's FLORA SEGUNDA.

The book that meant the most to me to see published, though, was Steve Berman's VINTAGE. He'd been working on it when I was writing TITHE-- we'd been critique partners since we worked at the same medical publisher (I was a production editor on THE JOURNAL OF PAIN)-- and we both inserted the other person's title into our books. Corny is reading VINTAGE in TITHE and one of his characters, Trace, is reading TITHE.

6. What was your favorite book as a teenager?

I loved Tanith Lee, particularly SABELLA, OR THE BLOODSTONE and TALES FROM THE FLAT EARTH, Michael Moorcock's ELRIC series, and Anne Rice's INTERVIEW WITH A VAMPIRE.

7. Now, ask yourself a question! (The create-your-own-question-question!)

What is the thing that always cheers you up, Holly? Coffee. When I'm tired, it wakes me; when I'm cold, it warms me; when I'm uninspired it fills me with the will to go on.

8. If you were to take over the world, how would you do it?

Excellent question!

First, I would purchase the appropriate accessories: high collared gowns, tall boots, sharks. Then I would purchase a small island. From my base, I would train an army of rats to scamper among you and find out everything. Yes, *everything.* Then the blackmailing would commence.

9. What advice would you give to aspiring writers?

I have two pieces of advice that might seem really obvious, but they were really the most helpful to me:

1. Read everything. Read outside of the genre you like, read nonfiction, read mysteries, read science fiction and fantasy, read literary fiction, poetry, short stories, history, true crime, the backs of shampoo bottles, everything. Different kinds of stories teach different tricks and I really think that diverse reading leads to richer writing.

2. Although this one doesn't work for everyone, the thing that really pushed me to be serious about my writing was getting a critique partner. Having someone to be accountable to and who was going to give me crap if I didn't finish a chapter on time made a huge difference in actually getting a book finished. And having to tell me when a scene worked and when it made no sense was invaluable.Cecil Castellucci once told me to "write from my inner rage and my inner perv" and I think that was the best piece of writing advice I was ever given. Lots of times I shy back from making a scene as intense as it needs to be and her advice reminds me that I always have to make sure the messy and hard stuff is there in the writing and is as real and true as possible.

10. Who would win in a fight-- Spiderman, or James Bond? Explicate.

James Bond, because he fights dirty.

Well, maybe it depends on which James Bond vs. which Spiderman? Tobey Maguire would still be a soulful and conflicted webcrawler while Daniel Craig shot him, but I believe Tobey could manage to net Timothy Dalton and dump him in the East River while Tim was still trying to come up with a quip.

11. Do you believe in faeries? Magic? Time-travelling monkeys?

Actually, I was raised with a belief in the supernatural and ghosts which is extremely hard to shake. I have become more of a skeptic over time, but I am still fascinated with reading evidence related to the paranormal.

12. What's your next project?

There are two things that I'm working on right now. I have my first graphic novel, called THE GOOD NEIGHBORS, coming out from Scholastic in September of this year (at least I think it will be in September). Ted Naifeh (of COURTNEY CRUMRIN and HOW LOATHSOME) is doing all the art. I am so excited to be working with him. THE GOOD NEIGHBORS is loosely based on the true story of a woman named Bridget Cleary, who was killed by her husband in front of family and friends, because they all thought that she was a changeling. In my graphic novel, Rue's mother has disappeared and the police believe that her father killed her. Rue has to decide what really happened, whether there's such a thing as faeries and whether her mother is one. It's the first book in a trilogy.

The other book I'm working on is called THE WHITE CAT. It has absolutely no faeries in it. It's my grifter, curse magic, boarding school, cat-in-a-dress book that borrows pretty loosely from the fairytale of the same name. I have to finish it by this time next year, so it won't be out until 2010.

13. What's your favorite kind of cookie?

I am torn between ginger snaps, especially the really spicy kind, and oatmeal raisin cookies. The oatmeal raisin cookies may be the result of brainwashing however, as my dad would shop almost exclusively in the generic aisle when I was a kid and bring home generic oatmeal cookies every week. I hated them then, but now, perversely, I love them. See, brainwashing works!

Wicked Lovely

Wicked Lovely is the story of a girl who can see faeries. Not shiny, happy, sparkly, petal-wearing fairies—scary ones. Thus the spelling: fairy = Tinkerbell, faery = awesome. And of course, by awesome I mean, you know. Frightening.

Aislinn (That’s the girl’s name. Coincidentally, it is also my name. It’s pronounced Ash-lin, not Ah-is-lin, or Ay-es-lin, or Bill, or however one chooses to butcher it.) catches the eye of a faery named Keenan, who turns out to be something called the Summer King. This makes him an important person (or faerie). He’s also kind of a jerk. Keenan has been searching for a bride for nine centuries (faeries are immortal, if you were wondering) and thinks that Aislinn may be the one. I won’t go into all the details, but, basically, Aislinn is given a choice: become a Summer Girl (one of many simpering idiots who die if they go too far from Keenan), or take a test. Obviously, I’m not talking about a math test. It’s a magical test. You know, like slaying a dragon or pulling a sword out of a stone (though slaying a dragon is more about brute strength and/or battle prowess). If Aislinn passes, she becomes the Summer Queen, Keenan’s bride (also, a curse gets broken and some other stuff happens, but I won’t go into that). If she fails, she becomes the Winter Girl, forced to endure constant cold and bound to serve the Winter Queen (who is evil, of course). And no, I’m not going to tell you what the test is. You’ll have to read the book. It isn’t slaying a dragon, though.

Anyhow, while all this is going on, Aislinn is getting into a romantic entanglement with a boy named Seth. Unlike Keenan, Seth is wonderful. He is also mine—sorry, Avery dear. Seth lives in a train car. And has tattoos. And a snake. Also, he’s hot. And did I mention mine?

Wicked Lovely is Melissa Marr’s first novel, and she had better write more now, because it is most absolutely utterly wonderful fantabulous. It starts out a little slow, with a scene that is supposed to introduce you to the concept of faeries and the fact that Aislinn can see them. But Aislinn’s fear at seeing them seems a bit forced—she’s been seeing them all her life, and you’d figure she’d be used to it. The book recovers quickly, though, and has very few weak moments after that. There were some times when I wanted to scream at the characters because they were making bad decisions and don’t be stupid and ack don’t do that you idiot because can’t you see that other thing? But I’m not sure that this is bad. I scream at characters a lot, see.
I give this book 4.5 daggers out of 5.





Sincerely, book-reviewingly, Seth-kidnappingly, faery-lovingly yours,





Faeries have been a part of my life (self? soul?) since I was very, very young. Because of this, I just happen to have an affinity for books about them. Often, I will be excited about a book on the subject of faeries, only to be monumentally disappointed. Fortunately, however, this was not so with Melissa Marr's 'Wicked Lovely'.

The book, as Aislinn (Nyx, not the main character) stated, began shakily with an awkward "I see fairies" scene. It recovered quickly, plunging the reader into an epic clash between winter and summer, love and obligation, mortal and faery. You know... everything that my daily life would be if it weren't... normal.

One thing that I really loved about this book was its love story. The high ranking fae creature verses the best friend is a common love conflict/scenario, popular among many fantasy writers. The great thing about Wicked Lovely is that Marr took a common theme and made it original and complex. And entirely awesome.

(And actually, Aislinn darling, Seth is not yours. He may not be mine, but if I can not have him, neither can you. So there.)

All in all, Wicked Lovely was, well... lovely.
I pierce the icy heart of the Winter Queen with four and a half daggers.





Fae at heart...