Gossip of the Starlings by Nina de Gramont

Gossip of the Starlings, by Nina de Gramont, is a boarding school story with a twist. Catherine arrives at Esther Percy School for Girls, having been forced from her old (coed) school for boy-related reasons. The school seems rigid, constraining, lonely, until Sky Butterfield chooses Catherine as her friend. Beautiful, eloquent, daring, and brilliant, Skye, the Senator’s daughter, is brimming with life and vim. She transforms Catherine’s life into a whirl of hazy, weed-brightened nights and days of rosy adventures merely rimmed by classes.

Skye is passionate and vibrant, but her desperate thirst for dare and danger becomes concerning for Catherine. Skye has a tragic soul and seems to believe that she is indestructible—a belief she tests more and more frantically, engaging in increasingly dangerous adventures. Skye defies convention, takes what she wants, lives hungrily yet can never be satisfied. She is a tightrope walker, an enchanted seductress, an angel. She is a presence in both of the worlds she inhabits—the world of Esther Percy and the world of my mind. It is tough to say where she is more at home.

Gossip of the Starlings was fantastic. The writing was pure poetry: smooth, eloquent, daintily descriptive without ever being too thick. The characters were painted gloriously, the plot and the allusions drawn were constantly keeping me interested. The following is just a snippet from the long, intricate work of art Gramont has created.

“Now, when I see teenage girls laughing. When I see them loosed on a summer evening – their limbs tanned and gossamer, their imagined freedom radiating like nuclear light – I can’t help but fast forward two decades or more. I know the curve of their bones has already made an imperceptible bow to gravity. I see the decay in slow motion, even or especially through those stunning and immortal years.”

Complemented by such gems of observations, small moments make up much of the novel. They are painted to such rich perfection that after months I recall them still. The image of a blood promise in a night-dark dorm room stands in my mind bright and vivid—scarlet blood, moonlit curls, tender smiles and flushed cheeks as the girls teeter on the edge of destruction; the first in many daring adventures that take them inches from death, the only way, they believe, to truly experience life.

I loved Skye’s seduction, the way even the reader was drawn to her. I could picture her lush beauty, her tender flawless skin, the dare and the dreams in her eyes. The way she could dance logical circles around any opponent, dangle her ripe sexuality at a whim, manipulating the world into her dark and dizzy playground.

After finishing Gossip of the Starlings, I began to search for other hazy books about poetry and death and life and living on the cusp of womanhood. The only other one I found was the Virgin Suicides (by Jeffrey Eugenides), which was excellent but lacking the strong plot of Gossip of the Starlings. Any suggestions?

Anyway, as if you couldn’t guess—Gossip of the Starlings earns a glowing five daggers.

Off embracing my fleeting youth but always, unalterably yours,

Briar

Uprising by Margaret Peterson Haddix

It is the peak of immigration in New York City, at the dawn of the twentieth century. Shouts in dozens of languages whoop through the air and smells from every dish imaginable waft through the streets of the Lower East Side. Tenements, rickety but home, climb the sky, fire escapes snaking down. The streets are crowded with pushcarts and calls. Thus is the setting for The Uprising, by Margaret Peterson Haddix.

Bella is a young immigrant girl, fresh from Italy and weighted with the daunting task of providing for her family overseas. She is lucky to find a job, though the hours spent hunched over a sewing machine in the Triangle Shirtwaist Factory are not quite what she expected.

Yetta has worked at Triangle for months. She lives with her equally rebellious elder sister, and, like Bella, sends most of her earnings home to her family in Russia. She is lively with life and pulsing with her want to change the world, to mean something, to matter. She wants women’s rights and safer conditions at work, shorter hours and higher wages. She is determined and fiery, willing to stand for months in the blistering heat and shivering cold, holding a picket sign and striking for union recognition in factories. Yetta is spirited and intense, gladly giving every bit of herself to her cause.

Jane, lastly, is a society girl with an intellectual spark. She is curious and compassionate, spending time with strikers and at rallies for no gain of her own, and finds herself swept up into this passionate world of striking and working and wanting and hoping. There is more to feel, she finds, outside of her ignorant, sheltered life. And these ardent factory girls so desperate for their cause accept her and love her—she finds a place with them that she cannot find at home.

Uprising is the story of these three girls. It is inspiring and adrenalizing (if that was not previously a word, I now deem it one), making me want to jump up and devote myself to a cause with all of my everything. On the other hand, the book does such a good job of enticing the readers into the world it creates, that it runs the risk of romanticizing poverty to some extent.

However, all in all, I love the way the book was crafted. The fire at the Triangle Shirtwaist Factory looms ahead for the entire novel. Right from the first chapter, we learn that two of the three best friends will die in the fire, though we do not know which ones they will be. This sets up an interesting dynamic--as I would read and get to know each character better, I would start to root for her to survive, before realizing, dismayed, that the other two would have to perish. It gave the book momentum and a reason for me to keep reading at the few moments the plot lagged.

Furthermore, the author was very skilled at weaving fiction and fact together, creating a story that haunts and perplexes, makes you think about the world and what you can do to change it, but also makes you care deeply for the three main characters. She succeeded in bringing life to a tragedy that occurred almost a hundred years ago. In making us care not only for the girls who died, but for the factory owners and the workers who survived as well. In painting a horrifying picture of flame and sky and the impossible choice—to jump or to burn? In making readers understand that if we want change to we have to fight for it, as the shirtwaist girls did in their months-long strike. The author wrote the story to make us understand what it was like to be a factory girl in 1911, with holes in her boots and tears in her dress and the incredible desire to change the world. The author wrote the story to give insight into life a century ago, to teach us to fight and question, and to warn us of the modern-day tragedies, today’s equivalents of the Triangle Shirtwaist Fire, that are waiting to happen unless we decide to fight for change.

Four and a half evil daggers.



Fervently yours,

Briar