Speak by Laurie Halse Anderson

Melinda is entering Merryweather High School with no friends, no voice, and seemingly no hope. During an end-of-the-summer party, she called the cops. Now, all her old friends won't talk to her and all the people she doesn't know hate her blindly. Since Melinda feels that her parents wouldn't understand, the safest place to be is inside her head. Melinda at first finds a sort of comfort isolated within herself, but it doesn't last. Lurking in the depths of her own mind is a demon. A memory, of the party, which she dare not remember. A thought which she dare not say. Slowly, it eats away at her, threatening to swallow her from within. Slowly suffocating, Melinda is faced with a choice. To speak, or to surrender to the spectre that haunts her thoughts.

What makes Speak such an original work of art is its dynamic mood. At the beginning of the novel, Melinda has clearly been through something major. She also has no friends. This combination has given Melinda a depressed, cynical, and sarcastic view on high school and life in general. What makes this a good thing is the fact that Melinda presents high school in a refreshingly candid, satirical way. My personal favorite example of this is her "The First Ten Lies They Tell You In High School" list. I choose not to give them all away but among them is, "No smoking is allowed on school grounds" and my personal favorite, "These will be the years you look back fondly." This book will make you laugh, unless of course you have no sense of humor at all, which would be a shame since the comedy in this book makes really good points on high school sociology.

Dynamic means characterized by constant change, activity, or progress. So clearly, the book is not just a long satirical attack on high school. There are others moods involved. The opposite mood stems from Melinda's own subconscious. There is conflict within her. She is trying, vainly, to suppress a thought, a memory, in her mind. Doing so arguably drives her insane. She experiences agonizingly acute anxiety, dangerously deep depression, and stifling self-silence. As the book progresses, the emotions Melinda feels become more potent. In the end, the book becomes very very intense so be warned. This book is not a fairy tale filled with rainbows after storms and kisses after poison-apple-based "death."

Bottom line (figuratively, not literally): Speak is powerful. Speak is intense. Speak is witty. Speak is dynamic. Speak is a good book. It is well-rounded and it relates well to teenagers. I advise reading it at least once just for the experience of it. Even if you're not a depressed person, it's good to see the world through Melinda's eyes because there are a lot of people who see the world a similar way.

I give Speak by Laurie Halse Anderson a (relatively) unheard of 5 out of 5 stars.







Acerbically yours,
Gabriel Gethin

The Hunger Games by Suzanne Collins

Somewhere in the expansive throes of the future, across a land once known as “North America,” lies a country, Panem. Led by the power-mad and appearance-obsessed Capitol, the country’s twelve districts are forced to offer up two “tributes,” or teenage sacrifices, to partake in the country-wide battle called The Hunger Games. The tributes are chosen by lottery (although one’s name can be entered as many times as one likes, in exchange for a tessera—a year’s worth of grain and oil to help support a poor family). In some countries, participation in the Games is an honor, as one’s district gets showered with money and food for an entire year, and eternal glory is thrust upon the winner. But when Katniss Everdeen, a poor but fiery citizen of District Twelve (the country’s poorest district), finds herself a tribute, her entire world comes crashing down. For you see, the Hunger Games are no ordinary reality show—the twenty-four tributes are placed in an arena in which they must fight to survive not only against the environment, but most of all, their fellow tributes. It is the duty of each tribute to kill as many of each other as they can, for the winner will be the one that is the last to survive as all others are dead.

The Hunger Games, by Suzanne Collins, was a positively riveting book. I felt my eyes were actually glued to the pages, and I finished it in a matter of hours because I found it so difficult to pry myself away. Filled with some astonishing twists and turns, the games themselves were nerve-wracking and heartbreaking, as Katniss would constantly have to remind herself that trusting anyone would result in pain as only one could win, but moreover, a smile and a knife in the back.

The scariest part, perhaps, is that the whole thing reads like a glorified reality show. Sure, it is government run and mandatory to watch—the government likes to remind the citizens just how at-their-mercy they are—but one has to think about how easily we watch reality shows that, by a stretch, were born from the same seed as the Hunger Games.

For Katniss and her fellow tributes, the reality show aspect means that they must be constantly putting on a good face, proving themselves to the audience who have placed bets on their lives, as well as trying to win sponsors who can send them gifts in dire situations.

I was so impressed by this book. It managed to effectively weave a futuristic sci-fi setting with a reality show that is hard to stop turning over in your head, with a commentary on image, as well as a love story. I can’t even weave that sentence to sound ordered or clear, yet Suzanne Collins managed to do so beautifully, creating a book that is a package of sheer suspense and delight.

The first of a trilogy, it has certainly caused a stir among both readers and professionals. Stephenie Meyer and Stephen King both gave rave reviews, and the rights to a movie have been already bought, with the author herself adapting it as a screenplay.

But even more exciting—there is something in which YOU can get involved! The author is hosting a competition in which teens can enter to win an ARC (Advanced Readers Copy) of the book’s sequel, Catching Fire. The entry consists of writing, in 500 words or less, how you would survive the Hunger Games. For more information, check out their website here.But hurry, because the contest ends May 15th!

Again, I absolutely loved this book, and am under the impression that everybody should read it. Unsurprisingly, I give it a whopping and wonderfully evil (oxymoron? no way-- Evil IS wonderful!) five daggers.



Relieved that OUR kind of evil is delightful rather than murderous,
Briar

How to Be Bad: Home Movie

E. Lockhart just sent us this BAD home movie, with some Bad singing and dancing by two of the original 3 Evil Cousins, Avery and Aislinn.

The Poison Apples by Lily Archer

Mother dies, father marries an unforgivably evil stepmother, and young daughter is stuck with a melancholy tale, waiting for her prince to save her. Sound familiar? Sound like every fairy tale in the book? Well—Poison Apples by Lily Archer is indeed like a fairy tale, but with modern setting and a delicious twist.

Three girls—Alice Bingley-Beckerman, Reena Parachuri, and Molly Miller—come into wicked stepmothers, and, one by one, are banished to a private boarding school: Putnam Mount McKinsey. There, by a mix of misunderstandings and pure chance, the three girls meet, and share their stories. Surprised at the similar horrendous fate that has befell each of them, they decide to form the Poison Apples— a secret society known to only them, committed to getting revenge upon their evil stepmothers. With prince charmings, small towns, little sisters and even a penguin or two, Poison Apples is certainly a fully packed and entertaining read.

I definitely enjoyed reading this book—for the most part, the characters were likeable and their scenarios amusing.

I liked the beginning especially, when the author was setting up each girl’s scenario. I found it well developed and interesting, with some funny insights on yoga and parents and clothes. I liked the natural way each found her path to the boarding school, but once there the book lost a bit of its spark to me. As the girls’ stories began to weave together, I found myself confused at times, but for the most part it was pretty good. I felt that the plots became a bit thinner, yes, but it was still enjoyable and funny. This was how most of the book continued—entertaining and witty, but dipping into too many sub-plots to fully commit to any of them.

The ending was the biggest fault, to me. Each girl embarked on a plan of revenge for their evil stepmothers, but the plans were weak and the execution weaker, and I felt that the ending was rather rushed.

On the whole, I identified with the three main girls very easily, I found the stepmothers deliciously evil, and I really, really liked the idea of a modern fairy tale, but at times the plot was weak and confusing.

I’d say three and a half evilistic daggers.

As a first novel, it showed a lot of potential, so I’d definitely watch for Lily Archer’s next book!



Happy that I am the evil one and not my mother,
Briar

13 Reasons Why by Jay Asher

Clay Jenson was hit pretty hard by the death of Hannah Baker, the suicide of Hannah Baker. They worked together, they had class together, but the real reason he was hurting was because he had always liked her but had been too afraid to do anything about it. When a shoebox-sized package arrives at Clay's front door, he has no idea what he is about to get himself into. The package contains seven audiotapes, each tape has a dark blue number painted in the upper right-hand corner. The tapes are numbered 1 to 13. As he begins listening to the first tape, Clay hears Hannah Baker's voice telling him that she made these thirteen tapes about thirteen different people and if you're on the tapes, you are somehow responsible for her death, her suicide. Once you finish listening to the tapes, you are supposed to pass them on to the next person on the list. If you don't, she made a second set of tapes, which she threatens will be released to everyone if the chain is broken. Clay definitely does not want to be a part of this, but he feels compelled to know what he did to make her want to kill herself. So the journey begins, Clay follows her story all around town, tape by tape. What he discovers will change him and his view of the people around him forever.

Make sure you have ample time to read this book before you pick it up because once the tapes start, you can't stop. It was painful to put this book down. Every fiber in my soul wanted to continue reading to find out what made poor Hannah kill herself. Jay Asher does an excellent job of making the reader sympathize with Clay. Every feeling of confusion, of guilt, or of sorrow that Clay experiences is not only felt by Clay. The reader can not help but feel it too. I cried when Clay did and when Clay was furious and wanted to throw a rock, so did I (only I threw a capped pen at a wall instead because I figured it would do less damage). Stories about death, especially suicide, bring out strong emotions in all of us, whether those emotions are grief, anger, or indifference. It's interesting to see what characters have reactions similar to our own. Are we like Clay, who regrets not trying harder to help her with a passion that burns stronger than a thousand wildfires. Or, are we like certain other characters, who just wish they could move on with their lives with out having to worry about Hannah's tapes trashing their reputations. It is enlightening to observe our reactions to the handful grievances that, unfortunately, led to Hannah's death.

All in all, this book is a thrill ride from start to finish. I don't mean like roller coaster thrills or scary movie thrills, more like intense events that make the reader want/need to continue reading. The book, unfortunately, seems to blow by in a heart beat, but it is totally worth all of our time. It is insightful, it is eloquently written, and its message will never be forgotten.

I give 13 Reasons Why by Jay Asher a killer (No pun intended. Well... maybe a little pun)

5 out of 5 daggers





Questionably yours,
Gabriel Gethin

The Crucible by Arthur Miller

A group of girls are playing, laughing, dancing in the woods. They are caught, and as their village is strictly Puritan, they are to be chastised and shamed for doing something so forbidden and taboo as dancing. The only way to evade punishment is to place the blame on someone else, so they concoct a tale that involved them being possessed and influenced by a witch who was in contract with the devil. Intended as a onetime way to get out of trouble, the accusation of witchery worked all too well, and it soon became a trend that took a life of its own, and, over the course of a year, destroyed the trust and shattered the foundation of a run-of-the-mill pre-American Puritan town.

These were real events, portrayed in Arthur Miller’s The Crucible. And yes, I understand that this is far from a new book, but it is such a wonderful classic that I think it deserves to be reviewed and read and read and read.

It is pretty widely understood that those prosecuted in the witch trials of 1692 were far from magical or devilish. But in a way, the Crucible shows the devil as a facet of personality, showing itself in times of great distress and pain, such as the witch trials. The ironic part is, the devil is more seen in those who did the accusing than the ones who had been accused.

While The Crucible never comes out and is explicit in its meaning, it is written in such a way that is open to dozens of different interpretations, all centered around the idea of human nature and what being frightened and pressured can do to a person

If one is about to be hung for witchery and the only way to save oneself is to “confess” and accuse another, isn’t it the natural thing to do? At the same time, one is struggling between their faith and their life, because the Ten Commandments are clear in their message to never, ever lie.

Psychology of a sort comes into play as well, when one considers the idea that if people are constantly acting possessed and placing blame on others, they begin to believe what they are saying and that they are truly being hurt and targeted.

I loved having the opportunity to explore these questions and ideas, and The Crucible provided me with a perfect reason.

In short, it is about a group of girls caught dancing in the woods, who use witchery to evade trouble, and the aftermath that shattered an entire town. It is not a novel, it is a popularly performed play, but still provides an amazing read—perhaps even more striking because it is all in dialogue. It provides a chance to see what tremendous power an accusation can have, and the effects of power on everyday people. It is a quick read, but the experience of having read it stays with you a long time.

The Crucible goes beyond ratings, but if asked, I would have to say five daggers.



Briar

Unwind by Neal Shusterman

It's not every day you read a book that officially makes it to the top of the list of "best books I've ever read." But for me, Unwind by Neal Shusterman did just that.

The sci fi-slash-horror story-slash-adventure-slash-romance tale takes place a few generations in the future, after a second civil war in which Pro-Life and Pro-Choice armies battled over the abortion issue. The war ended in a stalemate, and a new compromise was made: All babies had to be delivered and raised to age 13. However, between the ages of 13 and 17, parents could choose to "abort" their children by having them "unwound"--a process in which all of the organs are harvested and donated to hospital patients. In other words, 100% of the "unwind" stays technically alive, just in a divided state.

And although the process sounds shocking and unbelievable, in the story, it has become a common and accepted part of American society. Unwind follows three runaway "unwinds": Conner (who's being unwound because his parents think he's a troublemaker), Risa (a ward-of-the-state who's being unwound to cut costs), and Lev (who was promised to be an unwind at birth as a part of his family's religion, and who has been brainwashed to believe that unwinding is okay because it helps people). And when the government is desperate for organ donors, they will stop at nothing to find runaway unwinds and make sure they don't escape their fate. Lucky for Conner, Lev, and Risa, a secret society of runaway unwinds is just around the corner...if they can only survive to make it there.

Although Unwind is thoroughly packed with action from start to finish, that's not the only reason I loved it so much. In a YA room full of Cliques and Gossip Girls. Unwind really makes the reader think about deep, life-or-death issues. Like, who has the right to say when someone's life is going to end? Is it really okay to commit an act like murder in the name of religion? How far can you go in order to "protect the greater good?" And which is better: aborting thousands of babies that someone could have loved, or having an orphanage full of thousands of babies that no one loves? Unwind explores all of these and many more. Throughout the main story, Neal Shusterman intertwines many different subplots that get you thinking about the values in America and the value of your own life. There's even some laughworthy satire thrown in here and there. I'm warning you now, it's extremely intense, and many of the ideas suggested in the book may upset you. But if you're looking for some meaningful, thought-provoking reading that really changes the way you look at life, death, and your place in the world, then I strongly consider Unwind.

I definitely give this book the full 5 out of 5 daggers.

Misty