Another Faust by Daniel and Dina Nayeri

One night, five children mysteriously disappear from their homes in Paris, Glasgow, Rome, and London. Five years later, the five teenagers and their governess, Madame Vileroy, arrive at an exclusive holiday party in New York. The Faust "family" has just enrolled in Marlowe, a school for elite students, in the middle of the year. They use their "gifts" given to them by Madame Vileroy to rise to suspicious heights at Marlowe. Driven by selfish obsession and making deals with the very devil, the Faust teens draw nearer their goals. That is, until two of them uncover a secret.

Another Faust is an exciting book. The plot draws you in more and more as you read on. During the last few chapters, the book becomes very difficult to put down. I commend the writers on such a well paced build up. Another exceptional aspect of the book's writing is the short "pre-chapters." At the beginning of every chapter, there are a few sentences/paragraphs of italicized writing. They usually do not relate to the story at the present, but over time, their meaning becomes clear. Either that, or they foreshadow a future plot development. The pre-chapters add suspense but also aid understanding. It is a creative, enriching touch.

As mentioned in the plot summary above, the children make deals with the very devil. The devil exploits their weaknesses and desires to coerce them into making deals. This a very interesting concept, although not original to this book (it is not called Another Faust for nothing). There a personal conflict between immediate gratification and redemption. It makes a meaningful story, but sometimes, this one character comes off as downright repulsive. The girl, Victoria, is obsessed with winning. She makes a deal so she can read minds to cheat. She is absolutely soulless. Everything about her revolves around being the best and winning. She can be really obnoxious, but the book would suffer without her presence. If you ever become disgusted with her while you are reading, just keep going. It will get better. Fortunately, not all the characters are as horrible as Victoria.

The fierce faults of Victoria might not upset you. I just felt a little threatened. I mean, honestly, this girl got to make a deal with the devil! And I call myself an evil cousin... I shall have to try harder.

I give Another Faust by Daniel and Dina Nayeri a Satanic 4 out of 5 daggers.







Devilishly yours,
Gabriel Gethin

The Wave by Todd Strasser

The Wave, by Todd Strasser, is the story of Gordon High School, a regular American institution of lockers and bells, dreaded phys ed and social cliques. The novel takes place in the early 1970s, separated by years and oceans from the genocide of World War II. As they learn about the Holocaust in history class, everyone acknowledges that indeed, the Holocaust was horrible and despicable, but they all are equally certain that something like that could never happen in present day. Concerned with this complacency, the history teacher, Mr. Ross, sets out to show his students that a situation like Nazi Germany is never out of reach.

His experiment begins harmlessly enough; students must stand at attention before answering a question in class and say “Mr. Ross,” crisply before speaking. But gradually the experiment grows, there is a salute and a sign and the new way of acting carries beyond the classroom. Soon this experiment, called The Wave, has spread through the school, a special society in which all are strong, disciplined, equal.

Yet with the power and the unity of the Wave comes negative aspects, as well. Gradually, as more and more students join the Wave, they begin to get intoxicated with the mass feeling of brotherhood and security among their fellow Wave members. To help foster this bond, Mr. Ross organizes rallies and meetings only for Wave members, and in a surprisingly short amount of time the majority of the school is fully on board with the Wave and all that it stands for. Although once a member, all are supposedly equal and accepted, those few students who resist the Waves begin to experience negative repercussions. They are separated from their friends as they are not allowed at Wave rallies or lunches, and Wave members quickly take it upon themselves to ban non-Wave members from school events like sports games. They are ridiculed, isolated, even beaten. All those who are not part of the Wave are enemies to it, and a school that was once simply a school has become the headquarters of this hungry new regime.

The Wave is a terrifying picture of the tangibility of Nazi Germany. We find that the Nazis were not simply a huge concentration of bigoted, wicked people, but, dare I say it, people like us who went horribly wrong? In the Wave, we see how it is to get swept up in the tantalizing and reassuring world of mindlessness. Members of both the Nazi party and the Wave were freed of their obligation to make choices. They did not have to be different. And because they were human, fallible, swayable, they fell into the Nazi mold and became monsters, committing unspeakable acts of evil.

And that is why the Wave is so frightening. It shows us how susceptible even we are to falling into something like Nazi-hood or the Wave. Hitler with the Third Reich and Mr. Ross, the history teacher with the Wave, both designed their regimes to play into human vulnerabilities, to exploit them and use them to turn people blind and unfailingly obedient.

The Wave is short, no more than a compact 125 pages, but within those pages is a startling and incredible read. I’ve read the novella several times, and each time the blow is just as strong, just as incredible, and just as terrifying. It is well written and well researched, based off a 1980 classroom experiment much like the one depicted in the book. It is scary to read but absolutely riveting, and essential for us to read if we are to understand the lure of mindless unity and protect ourselves against it. The Wave is, without a doubt, one of the best books I have ever read.

Five out of five daggers, absolutely.

Prep by Curtis Sittenfeld

Lee Fiora is a modest girl from the Midwest, blessed by luck and hours of effort, who has won a place and a scholarship to the Ault school, a prestigious Northeastern boarding school. Vineyard Vines, Ralph Lauren and J. Crew labels are everywhere to be seen, while the school demands more academically than Lee has ever experienced. Awed and apprehensive, Lee begins her Ault career, unsure of her place in this affluent, preppy world. As the weeks and months continue, Lee becomes progressively more alienated, feeling friendless and very much an outsider. She is not privy to East Coast slang, the favorite brands; her hair is not long and sleek, her body not completely soft and slender. The novel follows Lee for her four years at Ault, during which time she becomes hardly more integrated. She spends the overwhelming majority of her high school years feeling self-conscious and rather miserable, because she feels that any thought, expression or action outside of the norm will alienate her further and cause others to think badly of her.

I liken this feeling of being scrutinized to the concept of the “panopticon,” in the book The Disreputable History of Frankie Landau Banks. A panopticon is a circular jail, arranged around a central well so that the prisoners could be watched at all times. Because of the constant assumption that they were being watched, the prisoners behaved and little watching ever really had to occur. In Prep, and in The Disreputable History of Frankie Landau Banks, the boarding school atmosphere makes for a sort of panopticon—an environment in which everyone feels as though they are always being watched, and behave accordingly. For Frankie, in Disreputable History, the panopticon serves to fascinate her and spark a rebellion within her. In Prep, the panopticon makes Lee miserable, for she feels as though her every move must be calculated to follow what the popular students are doing, and she spends more time desperately trying to fit in than she does nearly anything else. Life with a desperate and masochistic motivation such as this is not a happy one; Lee is constantly miserable and ends up allowing herself to be used sexually by a popular boy, for after wanting so long to be wanted, she grasps at the first possibility. Lee acts for almost the sole motivation of wanting not necessarily to be accepted –for being different is never desirable—but included.

Prep was written by Curtis Sittenfeld, sort of as a memoir. Sittenfeld attended a very prestigious boarding school as a teenager, and changed the name and a few key facts in the book, in order to somewhat protect its identity. Knowing this as I read was a little sad, for Curtis, alias Lee, has such an awful time in the text.

Prep is the bittersweet story of a girl who enters into a lavish world that seems ideal to her, but quickly learns that the pressure to be the unattainable elite is suffocating, and she finds herself barely gasping for breath over the four years of her life there. The really sad thing was that by the end of the novel, Lee does not seem to have really learned anything. She has not decided to be true to herself, or not care what others think of her. Perhaps this is more realistic, but it is still rather melancholy.

Prep is basically a depressing read. And though the insights on life at such an institution as Ault were interesting and well-explored, often the book lagged in Lee’s despair and alienation.

Though I cannot say that Prep was pleasurable to read—it is certainly not uplifting—this was probably on purpose, for the author’s intentions clearly were not to make the reader gleeful. What the book did do was make me think, and I am always glad for a literary opportunity to do so. It concerned me a bit as well, for I am in the midst of applying to schools like Ault for high school, and Prep made me fear that a cold, elitist world is the one I am about to enter into. All in all it was a pretty good, if unsettling, read.

I give Prep a three out of five evil daggers.

Preppily yours,

Briar

Nightlight: A Parody by The Harvard Lampoon

For those of you who desire the short, sweet version, Nightlight is a parody of Twilight. The basic storyline is similar enough to mock Twilight, yet different enough to be its own work of fiction. Belle Goose moves from Pheonix to Switchblade, Oregon to live with her father Jim, a window wiper. Belle has an obsession with dating a vampire. At her new school, she meets Edwart Mullen, a super-hot (yet fictitious) computer nerd with such a lack of social skills, one could argue he has negative social skills. After noticing a few events, such as Edwart leaving his lunch untouched, Belle realizes Edwart is a vampire. Clearly, this girl is a master of the scientific method.

I would say more in my quick summary, but I don't want to spoil the book! It's a very short read. Therefore, the summary is also short. Ironically, my summary for the 400 something page Twilight is about the same length... Quality beats quantity, which is why I recommend Nightlight over Twilight. Nightlight is hilarious! The book is like a Mel Brooks' movie. It's totally cheesy, it's a bit stupid at times, but overall, it is amazing! Some parts will make you laugh out loud (which you can shorten to "lol" if you wish). Other parts will seem a bit over-the-top and stupid. However, the length of the book makes the stupid parts less annoying.

There's not a whole lot to review in regards to this book. It's a parody. Is it funny? Yes. Therefore, it is a success. I recommend reading it, for kicks and giggles.

Four humorous daggers out of five.






Yours vampirically,
Gabriel Gethin

Catalyst by Laurie Halse Anderson

Kate Malone is one of those over-achievers; every school has one. Not only is she a straight-A student with especially outstanding grades in math and science, she also happens to be a long distance-running track superstar. She is a minister's daughter. She is dating Mitchell "Mitch" Pangborn III, who is got accepted Early Decision into Harvard. She is the unwilling caretaker of her family, between the death of her mother and the religious duties of her father, Kate is left with most of the house chores. On top of all this, she is a master of avoiding emotions. However, her emotional avoidance skills get put to the test after a series of cataclysmic events turn her life upside-down.

The storyline is pretty good. No complaints about the seriousness of the aforementioned cataclysmic events, they are really quite life changing. The story is easy to relate to, especially for high school students. All high school seniors share a good degree of nervousness over college acceptance. Also, the characters are pretty unique, yet stereotypical. Sound contradicting? It is. Kate Malone, for example, is a classic example of the overachiever student everyone knows will go to some Ivy League school and invent some radical new piece of technology. However, she is not so simple. Sure, she is smart, but she only applies to one school, MIT. Anderson is a master of creating believable, yet unique characters with refreshing amounts of wit. She also develops her characters, and their relationships with one another, beautifully.

Another aspect of Anderson's writing I simply love is her mastery of changing points of view. Not from first person to third person, but changing the way people see the world around them. As the characters' view of one another and the surrounding world change, so also do the reader's. The reader follows the characters' journey as if he/she were a part of it.

The story is set in the same community as Speak, which is pretty exciting if you've read Speak. If you haven't read Speak, what are you waiting for? I gave it five out of five daggers! That's more than enough to convince you to read it. Anyways, there's a great moment in Catalyst where Kate Malone refers to Melinda from Speak, got to love it.

If you've read this far, congratulations. You have patience. Some call it a virtue. As a reward, you get to hear my negative criticism for Catalyst. First things first, it's not as good as Speak. Speak was more humorous, more emotional, and (from a certain angle) more believable. Catalyst wasn't far-fetched. However, the way the events snowball and cause this sort of domino effect makes the story seem less likely to ever happen to a real life person (however, I'm sure someone is going to get lucky). Also, I felt much sorrier for Melinda than for Kate.

Nevertheless, Catalyst was most certainly enjoyable.

4 potentially painful daggers, out of the potentially more painful 5.







Chemically yours,
Gabriel Gethin

Sacred Scars by Kathleen Duey

WARNING: The following review contains spoilers of Skin Hunger, the first book in this series. If you have not read Skin Hunger, dash off to your local library as fast as you can and read it! Then you may read this review, and subsequently Sacred Scars, at your leisure.

When we left Sadima at the end of Skin Hunger, she, Franklin, and Somiss were in a cave with several orphan boys, kidnapped from Limori. Sadima is miserable living in the cave. She feels the fear and loneliness of the trapped boys, whom Somiss forces to learn how to copy the Gypsy symbols. Somiss is even more reclusive- and yet somehow even more frightening- than before. Worst of all, Franklin is gone all night, stealing food, and asleep all day, so Sadima has almost no time with him. As more and more time passes, she realizes that maybe he doesn’t even love her anymore. And slowly, she realizes something she knew all along. She cannot stay in this cave. She must escape.

Hahp, at the end of Skin Hunger, had made a pact with his roommate Gerrard to destroy the academy at all costs. They both realized the danger of their agreement, and as their fragile almost-friendship teeters on the verge of breaking, it seems to Hahp that Gerrard isn’t keeping his end of the deal. But that is far from being the boys’ only problem. As their lessons become more and more difficult, life becomes more painful. The wizards are acting even more strangely. Hahp’s sleep is haunted by dreams that blur the lines between fantasy and reality. Worst of all, the safety of all the boys is threatened by the violent, unpredictable, and dying Luke. As the pact between Gerrard and Hahp expands to include the rest of the boys, they are forced to make the most difficult choices of their lives. And as the connection between the story’s two plots becomes more apparent, the eternal question still nags at the reader: where is Sadima?

This book most definitely lived up to the precedent set for it by Skin Hunger. Although Sadima’s story lagged somewhat in the beginning of the book and at certain points throughout, most of that plotline, and all of Hahp’s, moved at a fairly brisk pace. There were numerous plot twists and unexpected events sprinkled throughout to keep the story moving.

Hahp’s story was definitely the more engaging of the two plots. There was so much story material there, weaving a rich, detailed plot, and as always, Hahp is a realistic and dynamic character. But this should not be taken to mean that Sadima’s story was not also compelling; on the contrary, since the action progressed somewhat more slowly for most of the book, it provided a nice complement to the tension of Hahp’s story, building up to the dramatic climax and cliffhanger ending in both cases.

Overall, Sacred Scars is a fabulous second installment in the Resurrection of Magic trilogy; I’m anxious for the conclusion. Four and a half magical daggers.






Yours in suspense,
Tay

Uprising by Margaret Peterson Haddix

It is the peak of immigration in New York City, at the dawn of the twentieth century. Shouts in dozens of languages whoop through the air and smells from every dish imaginable waft through the streets of the Lower East Side. Tenements, rickety but home, climb the sky, fire escapes snaking down. The streets are crowded with pushcarts and calls. Thus is the setting for The Uprising, by Margaret Peterson Haddix.

Bella is a young immigrant girl, fresh from Italy and weighted with the daunting task of providing for her family overseas. She is lucky to find a job, though the hours spent hunched over a sewing machine in the Triangle Shirtwaist Factory are not quite what she expected.

Yetta has worked at Triangle for months. She lives with her equally rebellious elder sister, and, like Bella, sends most of her earnings home to her family in Russia. She is lively with life and pulsing with her want to change the world, to mean something, to matter. She wants women’s rights and safer conditions at work, shorter hours and higher wages. She is determined and fiery, willing to stand for months in the blistering heat and shivering cold, holding a picket sign and striking for union recognition in factories. Yetta is spirited and intense, gladly giving every bit of herself to her cause.

Jane, lastly, is a society girl with an intellectual spark. She is curious and compassionate, spending time with strikers and at rallies for no gain of her own, and finds herself swept up into this passionate world of striking and working and wanting and hoping. There is more to feel, she finds, outside of her ignorant, sheltered life. And these ardent factory girls so desperate for their cause accept her and love her—she finds a place with them that she cannot find at home.

Uprising is the story of these three girls. It is inspiring and adrenalizing (if that was not previously a word, I now deem it one), making me want to jump up and devote myself to a cause with all of my everything. On the other hand, the book does such a good job of enticing the readers into the world it creates, that it runs the risk of romanticizing poverty to some extent.

However, all in all, I love the way the book was crafted. The fire at the Triangle Shirtwaist Factory looms ahead for the entire novel. Right from the first chapter, we learn that two of the three best friends will die in the fire, though we do not know which ones they will be. This sets up an interesting dynamic--as I would read and get to know each character better, I would start to root for her to survive, before realizing, dismayed, that the other two would have to perish. It gave the book momentum and a reason for me to keep reading at the few moments the plot lagged.

Furthermore, the author was very skilled at weaving fiction and fact together, creating a story that haunts and perplexes, makes you think about the world and what you can do to change it, but also makes you care deeply for the three main characters. She succeeded in bringing life to a tragedy that occurred almost a hundred years ago. In making us care not only for the girls who died, but for the factory owners and the workers who survived as well. In painting a horrifying picture of flame and sky and the impossible choice—to jump or to burn? In making readers understand that if we want change to we have to fight for it, as the shirtwaist girls did in their months-long strike. The author wrote the story to make us understand what it was like to be a factory girl in 1911, with holes in her boots and tears in her dress and the incredible desire to change the world. The author wrote the story to give insight into life a century ago, to teach us to fight and question, and to warn us of the modern-day tragedies, today’s equivalents of the Triangle Shirtwaist Fire, that are waiting to happen unless we decide to fight for change.

Four and a half evil daggers.



Fervently yours,

Briar